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Luke Gilliam commented on Beppe's photo '2008 Musica e strumenti musicali 20x30'

Colori Magnifico!! Les couleurs magnificents!! Ciao Luko ::)

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About Me:

GIUSEPPE SEBASTIANO DEVOTI said Beppe:
Born in Turin, he moved to Abruzzo in 2004. Where he lives and works at Canzano, place near Teramo.
Diploma of Artistic Maturity achieved in the Albertina academy of Turin, PHD in Architecture achieved in the Polytechnic of the same city.
Hi defines himself an experimenter artistic for his continuous necessity to seek expressive ways that stimulate the feelings of whom observes the pictorial work.
The first artistic experiences of painting go back in the 1950's with productions that introduced atmospheres of languid romanticism, from which modern lines emerged in already the use of a chromatic palette to tend to the blue-violet colours. In the years of high school this palette strengthens him in works tending to the abstract, even though with some figurative memories. In 2006 founded The PURE PAINTING artistic movement that pursues the pure interpretation of the reality. Where for purity he intends one free, fantastic and anarchist expressiveness out of every stylistic rationalism. This tendency emerges in disruptive way in its last works and in the studies.

About My Art:

Pure-Painting or Puraismo:
The Manifesto
"I DON'T SPEAK OF THINGS IN WHICH I DON'T BELIEVE"
Devoti Giuseppe Sebastiano

1. as in the classical Purism us artists of the Pure-Painting we want to express us through images introduced in a sober and rigorous expressiveness, whose forms are synthetic, in which the contours insert him the one in the others in a puzzle frontal what it brings to a composition to the abstraction.
2. the Pure-Painting, it is a tide new-purist that continues to affirm the plain surface through a definite color, readable self-going , not neutral.
3. The treatment of the color both a formal fact characterizes the magic relationship that the artist entertains with the subject of expressiveness the stylistic element that identifies a function mediated through a true emotional pathos.
4. our work has to be born from the precise analysis of the appearances abdicating the optic interpretation of the world.
5. it is necessary to leave that the things penetrate in us and they invade us.
6. it needs that our art takes form from the native thoughts of the movement cancelling from ours to act: the academic visual habits, the perceptive adjustments, and in general the pictorial tradition.
7. we don't deny the tradition, simply we don't intend to be a part it. The tradition stops the search, it pushes to crystallize on stereotypes already experimented and therefore discounted.
8. our world is the place in which there is no space for the familiarity, for the effusions, in which it is not owed us to feel to really ease, is the place in which it makes him emerge a feeling of extraneousness toward the cultural continuity, the place of the existence every time again invented as utopia of the genesis. The new aboriginal mythology, in which to reproduce the metaphysical state of the feelings of the "it was Of the Dream."
9. The photographic painting of the reality there is extraneous in how much the world of the third millennium already has a whole series of tools actions to use this form of realistic representation: the cinematography, the photo the advertising placard, the murales they develop very well this explanatory function.
10. It is necessary to propose a pure subjective vision, to paint a subject that takes form, in almost spontaneous and primordial way, under our hands.
11. It needs that our painting results as a native together "coacervo" of all of this that will be
12. We have to know how to evoke a divine force to return to the perception virgin of the origins, that not infiltrated by looks that they judge, they welcome or they throw back.
13. We firmly believe in the expressive liberty provided that exempted by the foolish overlap that they characterize the crepuscular way of painting.
14. Liberty is the status been born by the knowledge, this Socrates’ vision of the liberty according to which: "the sin is an unintentional consequence of the ignorance", has been taken back and modernized toward a new community thought of liberty. In this perspective we set there in the position to teach to observe over the simple action to see the reality.
15. The indications of this manifesto are not to imposes bridles but an ethical that it proposes of behaviour that points out the direction not the road.
16. Our art won't be decadent, banal and academic therefore it is PURE PAINTING.
Devoti arch. Giuseppe Sebastiano Detto Beppe

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Website:

http://www.beppedevoti.com

Lady Godiva has just gone out

"Ambiente corrugato con gasteropode e bottiglia"

LEBANON 2006

THE HORSES OF THE NIGHT
THEY GO CRAZY.
THE MOON IS DYED OF BLOOD,
AS IN THE LAST ONES
TEN THOUSAND YEARS OF HISTORY.
CHIRONE FREED
THE ANGER OF HIS BROTHERS
AND THE MADNESS
CONTAMINATED THE MINDS.
WHO RECOGNIZES HIS NEIGHBOURS
HE WILL BE TORN TO PIECES BY THE SAME
WHO HAVE LOST,
OF HIM, EVERY MEMORY.
THE PRIMITIVE AGE OF THE DREAM
MUST HAVE FOUND AGAIN
BEFORE OUR MADNESS
FINISH IN THE NOTHING.
beppe

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PURAISMO FIGLIO OF THE PICTORIAL MODERNISM

I transmit the translation of the text " The PURAISMO child of the Pictorial Modernism" I hope that I am comprehensible sight the scarce knowledge that I have some language Beppe
Dopo il testo in inglese si trova quello in lingua italiana e francese
The pure painting child of the pictorial modernism
What the pictorial modernism is divided in: mainstream expressionist, of culture center European and mainstream cosalista evolved oneself in the cosalismo visibilista or visibili… Continue

Posted on June 14, 2009 at 7:34am —

Comment Wall (11 comments)

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At 10:03am on October 23, 2009, Luke Gilliam said…: Hi Beppe - nice to see you up here - how goes your projects with Pure Painting? Best from Luke ::)

At 6:07am on October 12, 2009, Mauro Bani said…: Ciao beppe, ho appena chiesto la tua amicizia, perche le tue opere sono straordinarie, però mi piacerebbe sapere che pensi tu delle mie opere, fotografiche!!

At 5:34pm on May 7, 2009, Glady Ibáñez said…: Beppe vuole uno spassionato critica per il suo lavoro ... è impossibile, è un lavoro pieno di forza e colore sono molto lieto.

At 7:39pm on April 23, 2009, Abd A. Masoud said…: Hallo Beppe
thank you for sharing your painting with us.
I like the horse Painting most.
regards

At 4:32pm on April 21, 2009, Jerry Hanks said…: Amazing passionate and direct painting. I admire such a comfortable relationship between mind, body and soul.

Jerry Hanks

At 5:40am on April 20, 2009, Boguslaw Ryczko said…: Hola Beppe:
Tus realizaciones practico-teoricas son muy particulares e interesantes.
Saludos.

At 3:56am on April 19, 2009, Dr. Krishna Kumari Challa said…: Good work. Keep it up.
Krishna

At 9:41am on March 19, 2009, mjfaustino arsatelier said…: Hi Beppe!

Thank you so much for sharing this beautiful works of yours!

Kind regards, mjf

At 4:51am on March 9, 2009, Hitoshi Tsujioka said…: Thank you Beppe! I like your beautiful paintings!

At 4:24am on March 8, 2009, Philip Letts said…: Beppe, welcome to b-uncut - the social network for artists by artists. We look forward to seeing you load more and rate artworks, post blogs, join Forum discussions and more. Read the 'Notes' (right column - home page) for tips on using the site.

Dive in and enjoy.

And don't let anything stop you expressing your art.